David Mamet, that master of quick repartees, rapid-fire dialogue and cleverly convoluted narratives is at it again.

What is Cameron Diaz doing in such a lame-brained comedy in which, for most of the way, she looks ridiculous?

Gazette film critic Dan DiNicola says Miley Cyrus' controversial photo shoot for Vanity Fair ought to raise a few eyebrows.

Unlike the abominable and awful “Transformers,” the new film "Iron Man" does its best to balance mature wit with clanging adventure, thanks in great part to the presence of Robert Downey Jr.

“Priceless” is exactly the kind of French comedy an American studio will adapt for an American audience, and if “Three Men and a Baby” or “Birdcage” are indications of how Americans can tame or water down an original, it’s best you see this comedy in its pure form.

“The Visitor” is, so far, the finest movie of the year. It is a picture about the rebirth of a middle-aged man, but to feel its warmth and soak up its vitality, you need only to understand what it’s like to feel the difference between living and having a reason to live.

“Made of Honor” may have an ounce of cute or touching moments, but it is mainly an embarrassment — the kind of movie that gives “chick flicks” a bad name.

"Baby Mama," starring Tina Fey and Amy Poehler, is a crowd-pleasing comedy, but falls well short of the classic comedies of years past

Winner of this year’s Oscar for best foreign film, “The Counterfeiters” loosely chronicles events in which a group of Jews helped the Nazis during World War II.

Watch Morgan Spurlock’s “Where in the World is Osama bin Laden?” and you might conclude that it matters not a jot whether we catch him or not. The damage has been done.

“88 Minutes” is not just a bad film. It is idiotic — an alleged thriller that offers more laughs than thrills.

"Forgetting Sarah Marshall," a comedy about a forlorn Hollywood composer dumped by a starlet named Sarah, is not nearly as funny as other Judd Apatow films, says Gazette critic Dan DiNicola.

“Under the Same Moon” will prod us into considering the issues surrounding illegal immigration, but it is hardly a movie that qualifies or attempts to pass itself off as a definitive work on that subject.

Keanu reeves heads the cast in this over-the-top L.A. cop drama.

"Holly" tackles the horrible problem of the Eastern sex-slave trade.