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Review: Ueyama’s world premiere finds spirtuality in nonsense

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While some theaters are cutting back on dance, PS/21 is boldly charging ahead — presenting more dance this year than it has in seven summers. The tent, as it is known, doesn’t always attract a large crowd in inclement weather, but its commitment to the art is admirable, foregoing profit for substance. Artists obviously agree that PS/21 is special and that is why choreographer Takehiro Ueyama reserved the world premiere of his “Ba Ban Ba ...


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