Using tongs, Jim Moran sticks a long, thin piece of wire into the small but very hot fire of the blacksmith’s forge.
When he removes the metal, the tip is white hot.
At San Francisco Ballet, Gonzalo Garcia had it all — a dream repertory of both classical and contemporary works, an artistic director who took a personal interest in him and an adoring public. Garcia left all that behind for New York City Ballet, and he has no regrets....
Subscribers must LOG-INto read this full story.
If you are a current print subscribers and would like access to our complete online edition CLICK HERE.
For new online-only & print/online combo subscriptionsCLICK HERE.
Stories can also be purchased from our archives for $2.00 per article. CLICK HERE to search our archives.
